3 quick ways to improve oboe tone


Hey Reader,

Do you ever wonder if there’s a quick trick to use to help your oboe tone be just a little bit better? Oboists are always searching for that optimal tone with the least amount of effort, right?!

Before I share the 3 quick ways to improve your tone, let’s agree on the characteristics of “good tone”. They are:

  • Consistent
  • Open
  • Round
  • Supported by air

These descriptors point towards the mechanisms of getting a nice tone: use consistent air support and a gentle embouchure pressure with a round front of mouth shape. Now that you know what you’re looking for, let's get into the tips!

1. Use slightly more air

Do this: When playing, try blowing with just slightly more air. Sometimes our tone suffers when our air support drops off a little bit, so using slightly more air to support the sound will help open the tone up.

Why it works: Over time we often get complacent, and use just enough air to make sound but not enough air to fully support the sound. For some students slightly more air transforms into slightly faster air. Faster air helps to make playing feel easier and sound better.

2. Separate your teeth a bit

Do this: Notice how close together your teeth are as they play. Try lowering your lower jaw just a bit to make more space between your teeth. Make sure you’re using fast enough air to get the sound going, and you’ll notice a less compressed sound.

Why it works: When playing, your teeth put a little pressure on the reed, which can restrict the vibrations and negatively affect the tone. Moving your teeth apart a little bit relieves that pressure on the reed and allows it to vibrate more freely, thus sounding more open.

3. Angle your face forward instead of slightly down

Do this: Look straight ahead at something that’s roughly at your eye level as you play, but don’t allow your oboe to rise. Depending on the length of your arms, your elbows will be either right at your sides or even with the front of your torso.

Why it works: The angle at which your reed enters your mouth can increase or decrease the pressure that your lips apply to the reed.


Did you know that you can sign up for a lesson with me even if you’re not located in California?

I’m offering Occasional Lesson spots to anyone who wants to study with me on a casual basis online and in person. This is a perfect opportunity for you to get some individualized attention on your tone, technique, and embouchure.

To access my Occasional Lesson list, please sign up for the list here. I send a newsletter 1-2 times a month with a link to a Google Calendar you’ll use to sign up for a lesson time. Spots are first-come first-served, so grab one before it’s taken by another student!

Until next week,

Alli


Hey, Reader, Do you have any burning questions about playing oboe? Reply to this email and ask, and you might see the answer in the next newsletter!

Alli Gessner

Written weekly by oboist and studio teacher Alli Gessner, the Teaching Oboe Newsletter for Band Directors brings you weekly advice on teaching your oboe students with resources, links, exercises, tips, and more!

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